Vicki Ward was living cooped up in a small seventh-floor walkup on MacDougal Street in New York, the heart of the West Village, the scene of the Sixties, and she couldn't have been happier. This was a heady time, an incomparably optimistic, happy one. The beatniks were close enough in the past to give the new cafe society inspiration. Kerouac and Burroughs were their idols, preaching free love, intellectual independence, and social liberation.
The hippie era was just around the corner, but the New York crowd was too urban, intellectual, and free-spirited in a New York cosmopolitan way to appreciate communes, flowers, and spring rains.
They were on the cusp of both the beatnik and hippie generations, and felt unique, part of the past, crusaders for something important to come, and above all comrades in their distaste for the bourgeois, sedate, sedentary life of the Fifties.
It was there that Vicki met Ira Greenblatt. Vassar had not prepared her for such an encounter, let alone love affair. Yes, there had been Jews at Vassar, girls with from Great Neck with thick New York accents. Vassar was very much a school for the Cabots, Lodges, and Longworths of America. Vicki - Victoria Hastings Ward - had been born, bred, and brought up on Philadelphia's Main Line, schooled at the exclusive Miss Porter's in Farmington, Connecticut, and then after a year abroad (the Greek islands, Torino, and Paris) she entered Vassar.
Vicki was a good student with a particular interest in history and economics, never near the top of her class but far from the bottom. Vassar was known for its early feminism and encouraged its girls to settle for nothing less than a career. While the other Seven Sisters - Smith, Holyoke, Wellesley, etc. - hewed to the more traditional cast for young women, i.e. productive members of society through motherhood and family, Vassar insisted on much more.
So when Vicki graduated and took a job in New York with Fleisher & Isaacs - an economic consulting firm - she felt she was faithful to the Vassar spirit and a respected legatee of the Ward family.
Philadelphia was not New York by any means, but it gave her enough urban grounding not to feel ignorant of street culture. She found her apartment through Two-For-The-Money, a sublet which turned into a proper rental after the original renter moved to Boise, and immediately found the Village to be consistent with her ideas of a post-bohemian New York. It was at the Cafe Figaro, a meeting place for the Village crowd where academics, poets, artists, and writers discussed ideas and culture, that Vicki met Ira Greenblatt.
Greenblatt was what Vicki thought was 'your typical Jew' - everything about him shouted rabbinical, seder, impatience - but there was something attractive about him. He was handsome in a Mediterranean way, none of the ugly features which usually characterized his race, and was forthright, demanding, and overtly sexual. She was stirred by his intensity and his intellect, and before long they were sharing long weekends in her walkup.
By now the civil rights movement was catching fire, and Ira was one of the first at the barricades, protesting segregation, Jim Crow, and the virulent discrimination of the black man. He was first on the Freedom Rider buses to Montgomery, was beaten by Bull Connor's thugs, and bitten by his dogs He returned bloodied, uncowed, and more convinced than ever that defiant socialism was the only way forward. It was the capitalist rot which was at the root of such unprincipled, racist behavior, and unless the pillars of this corrupt socio-economic system were torn down, the lot of the black man would never improve.
Vicki, now in love with the man, followed his every direction, and she too became a rabid socialist, with him at every protest in New York and on the National Mall. She read Marx, Engels, and Lenin and gave her heart and soul to the movement.
Vicki eventually left New York, Ira, and socialism; but never lost sight of the progressive agenda or Ira Greenblatt who like her had moved to Washington to work as a political advocate. By this time Vicki was on the faculty of a historically black university, chosen despite her whiteness for her decades- long fight for the rights of the Negro.
Vicki had never married, so when Ira called her, she was delighted and available. She still loved him and now more than ever their political focus was precisely aligned. They both were tireless advocates for racial justice, the environment, economic equality, and gender fluidity. There was nothing on the progressive agenda with which they disagreed and were both ready and eager to pick up the cudgel for any of the causes of the movement.
Ira, however, had never lost that New York Jewish aggressiveness - a characteristic pushiness which she hated to admit - and far too often he was in her face. She had become far more reasonable and temperate over the years, never veering far from dogma or the principles of the canon, but more reserved.
'Have you lost it?' shouted Ira one late night after they had finished a fifth of bourbon. 'Have you fucking lost your mind?', followed by a drunken battle royale worse than anything out of Virginia Woolf. 'Enough already', she yelled as he left her quiet suburban neighborhood in a roar of exhaust and screeching tires.
It was on and off for months thereafter, coming together and parting in final farewells which never amounted to anything. They saw each other at climate seminars, neo-socialist colloquies, and the occasional protest, but really only got together incidentally.
While politics for Ira became a wild, even crazed emotionally violent enterprise, for Vicki progressivism became a religion. It had foundational belief, a canon, prescribed rituals, prayerbooks, principles, organization, and true belief. In her own way she became as unhinged - that was really the only way to describe her divestiture of rational thought - as he had. Both now were traipsing through a brave new world which they had ceased to try to understand but engaged with passion.
Incidental though the love affair had become, the common bond - political animation and profound conviction - brought them as close as they had been in the old days; but this time it was different. Their world had evolved from the adolescent dream of a better world to the angry, venomous, frustrated militancy of the day.
They talked around and over each other, stumbling, shaking with hatred, their affection gone with the wind, replaced by undirected animus, a vile hatred of Donald Trump, a desire to do damage, to show America that there were still patriots in their midst.
They went to every No Kings rally, travelled to Minneapolis to confront the Gestapo SS storm troopers of ICE, to kill or be killed in an existential fight for decency and moral right.
Ira became as gaunt as an Old Testament prophet, a streetcorner preacher, a wild zealot, a man possessed, inflamed, shaking with a terrible Biblical investment.
Vicki stood by his side with the same wonder and amazement she had had in the old socialist days - how Ira burned with a righteous anger and an evangelical zeal. When he spat in the faces of ICE agents, and spat again, and yelled at them, she cheered; and when one day he pulled a gun and shot one of them she raised her arms in victory, an almost sexual pleasure in seeing her lover standing proudly until he was wrestled to the ground by Trump's animals.
She howled and wailed like an Arab woman over a grave, pulled her hair and tore off her clothes and stood bare-breasted in front of the ICE troops. 'Here, take this', she yelled, shaking like a St. Vitus dancer, twisting and turning like a dervish, a madwoman, demonic, distorted, and wild.
The crowd around her took her in their arms and raised her high above them, cheering, jubilant, and triumphant. 'Off the pigs...Off the pigs', they shouted, their chants repeated and reverberated back through the crowd and then forth again to the barricades where the confrontation continued.
Photographs of her bare-breasted, looking as wild as a beheaded Medusa, frantic, frenetic and totally and completely unhinged went viral - a new hero of the Left, an unrepentant, regenerate, woman of righteousness and honor.
The dean of the English Department where she was a tenured professor was shocked at the public display of an ordinarily recondite and temperate woman. He, like Vicki subscribed chapter and verse to the progressive canon and was an outspoken advocate for all its causes, but this display was unbefitting of a senior faculty member of the university. Political commitment was one thing, but hysteria was another.
He had of course forgotten his own beginnings in a small tarpaper shack in North Carolina, whipped and cellared by his preacher father, forced to sit in the front pew of his Church of Zion Baptist church, watching the hysteria, the holy rolling, the ecstasy of those who saw Jesus descend from the rafters in a grand visitation.
Forgotten at least until he was reminded of it when another AI generated photo of Vicki, a Joan of Arc at the burning stake, arms reaching up to God who had forsaken her, with the caption ANOTHER MARTYR TO THE CAUSE? an ironical reference to the charismatic craziness of both progressivism and Southern Baptist ministries.
At that moment the dean knew that Vicki had been possessed by the Devil, although he didn't know whether to welcome her home or dismiss her.
The story of Vicki, Ira, and the Dean is either apocryphal or cynical - either the couple was indeed a demented, addled, emotionally maimed and needy pair; or the very poster children of progressivism. It all depended on how you looked at it.
Some saw tragedy in it. A pretty debutante, Vassar graduate, a woman with the manners and demeanor of good aristocratic upbringing brought to heel by the ferocious inanity of modern progressivism. A rabbinical scholar, a man of intelligence and fine perception co-opted by the most incidentally dangerous political movement since shamanism.
Most people shook their heads and saw nothing but the absolute, unqualified, unmitigated chicanery of the Left. So that, dear reader, is what should be the epitaph of the story.












