Henry Towson was ill-favored in the genetic luck of the draw. The child of attractive parents, he came out with none of their distinguishing, notable features. He was, for lack of a more generous and forgiving term, misshapen. Nothing seemed to go where it belonged, so misaligned were his features and so exaggerated. He had none of the classic facial symmetry which has characterized beautiful men and women and featured in the sculptures of Ancient Greece and Rome.
His hair was untamed, a bit of the warlock, neither fully curly nor straight, but a nasty whorl. His nose was long, but not aquiline, graceful, and Roman, but serrated and casting a long shadow. His ears, while not exactly pendulous, were noticeable for their unusual size and oversized lobes.
This was all bad enough in a world which prized beauty, but his parents were not just attractive, but Hollywood ready. His mother in fact had modelled as a young woman, and his father chosen to represent his firm in their national brochure; so when they went out in public with their son, it was an embarrassment. Of course they loved him and wished him well, and would give him all the social and financial advantages they had had, but still felt uncomfortable when friends and neighbors met them on the street, peered into the baby carriage, and could only manage a, 'Wow, what a baby', unable to gin up the usual fawning words.
He soldiered his way through school, did his best to swallow the taunts and ridicule of his classmates, kept his head down and mind straight, but could not help but feel hurt and hopeless. As he grew older, he watched his friends charm and win the most beautiful girls while they gave him little notice. Many of these boys were as dumb and clueless as apes, but still were put in the front row, favored, privileged, and honored by teachers.
There was something about physical beauty which prevailed and superseded any other more substantive characteristic or talent.
The bias in favor of physically attractive people is robust, and has been proven again and again by researchers, most notably Pierce, Hendriks et al with attractive people being perceived as more sociable, happier and more successful than unattractive people Attractiveness biases have been demonstrated in such different areas as teacher judgments of students, voter preferences for political candidates, and jury judgments in simulated trials
Recently researchers at Harvard investigated the “beauty is goodness” stereotype in U.S. films and found that attractive characters were portrayed more favorably than unattractive characters on multiple dimensions across a random sample drawn from five decades of top grossing films.
The authors also found that participants watching a biased film (level of beauty and gender stereotyping) subsequently showed greater favoritism toward an attractive graduate school candidate than participants watching a less biased film. In the area of employment decision making, attractiveness also influences interviewers’ judgments of job applicants.
Just as there are bell curves for intelligence, talent, and athletic ability; so is there one for beauty. The marvelously beautiful and the pitifully ugly lie near the asymptotic ends of the curve, and are small percentages of the population.
Unfortunately Henry Towson fell very close to asymptotic end of the curve. He was definitely not grotesquely ugly or even moderately so, but no amount of finagling, fancy dress, or hours at the spa, could move him up and out from the awful penumbra of brutal unattractiveness.
He was stuck with his his genetic legacy - attributed to Great Uncle Lawson who no matter what the pose, the lighting, his outfits, or attractive, modifying backdrops of his photographs came out as ugly as sin with the same lack of symmetry, misshapenness, and naturally glowering looks of his descendent.
At some point, Henry decided to accept the bad hand he was dealt, and still find ways to win at life's poker table.
At his university, the protest movement was in full swing. The progressive faction of the student body had their fingers in every social disorder. They were at the barricades demonstrating for social justice just like their parents and grandparents had been in the Sixties. They were outraged, angry, and full of hatred for the oppressive, racist powers that be. The world was a viperous nest of malignity - a population which dismissed the coming climate catastrophe, which consigned the black man to perpetual dysfunction, which marginalized the gay man, lesbian and transgender, and which demanded closed borders to keep out deserving asylees.
Curiously and surprisingly, Henry found that the most radical student organizations were represented by men and women like him - sorrowfully unattractive - and yet there was something heady and happy about the gatherings, the marches, and the protests. Ugliness disappeared in an atmosphere of joyful purpose. Young men and women hugged and kissed, embraced with love and unity, sang songs of protest but with love and emotional power.
When they returned home from Washington and the National Mall, they reverted to form - dowdy, disheveled, and brutally ugly. The meandered through the days, an undesirable breed apart, and only when it was time to show their reformist colors were they transformed into happy couples.
They were dismissed and marginalized by the elite of the university - those attractive, desirable, privileged classmates with classically handsome and beautiful looks; the young men and women who, observed by the researchers from Harvard and Duke, would always be the first to be chosen, feted, honored, and obeyed. To these Adonises, members of Harry's group were little more than apes in the monkey house.
Not only were they insignificant and irrelevant, they were so ugly they were avoided, shunned, and disregarded. As a result they banded together even more, and became a cluster of unattractiveness.
None of this mattered to Harry who like everyone else, wanted to feel at home someplace; and this progressive cabal was just it. So generously inclusive was it that he forgot his misfortune, and felt accepted, happy, and positive.
He had been so convinced of the rightness of the political causes espoused at the university, that he continued on this path of social justice after graduation. Not only would he still be a member of a particular, if peculiar social group, he would be working for social betterment.
In the progressive movement both ideas merged. Not only were the objectives of social reform existentially important, but that beauty was a symbol of the settled, ignorant, idle bourgeois class. Those classmates who had summered on Nantucket and wintered in Gstaad, those blond airheads of inherited wealth and privilege were the faces of the enemy. Ugliness was a symbol of commitment, political honor, and righteous belief.
The life of a progressive was the mirror image of the Mount Olympus of physical beauty. Unattractiveness was the ticket to political and social success, but just the opposite of that of the rich, talented, and beautiful. Henry's life was to be one of significance, not airy indifference.
And so it was that he made his way with what he had - or more properly exploited his physical misfortune like a savvy miner. He found the seam of gold in a society of black coal...Or so it was that he thought of himself.
He made his way up through the progressive ranks, being more and more recognized as a liberal's liberal, undaunted and outspoken on every social issue, eloquent, persuasive, and insistent. So much so that his audiences forgot his miasmic ugliness and only listened to his words.
He had found his home. He married a girl from the movement, and unlike his parents who had produced a physical outlier, they produced one of their kind, a 'Wow, what a baby' boy who if he was lucky would follow the same anointed trajectory of his parents.
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