D.H. Lawrence perhaps more than any other writer, understood the epiphanic possibilities of sex. Of course Tantrism and mystical ying-yang Buddhism reflected the idea of spiritual epiphany, but Lawrence translated it into recognizable, natural desire.
Connie Chatterley did not sleep with the gamekeeper Mellors with this in mind. She only wanted release from the chattels of marriage to a physical cripple and emotional child; but found in the increasingly passionate adulterous affair a psychic release that went far beyond simple sexual satisfaction and touched the possibility of true spiritual satisfaction.
It was the coming together, Lawrence's sine qua non, that escaped her at the beginning but when realized, turned a sexual coupling into something tremulous, exciting, and without parallel.
It wasn't that Mellors was an ideal mate - the two lovers were from different worlds, of different composition, different zeitgeist, and different social expectations. It was that there was an undefinable, illimited, sexual attraction that when realized and consummated produced an indescribable, insurmountable release and feeling of completion.
Life of course is not the stuff of fiction, and such epiphanic sexual ecstasy will always be a matter of speculation and hope; but there are real Connie Chatterleys out there - women for whom sex is not only a matter of marital duty or even adulterous adventure, but something necessary, obligatory, and absolutely compelling.
Barbery Byfield was such a woman. Married to a scion of Wall Street, direct descendant of colonial Anglo-American aristocracy, son of a first family of both Virginia and Massachusetts, she was secure enough in a prescribed alliance of the best and the brightest.
For the first years of their marriage, she was contented with her profession, her social circle, her support of the arts, and her family; but as time went on she felt disquieted - not quite restive or unhappy, but feeling a twinge of regret at her choice of a settled life and a desire to at least stretch its perimeter.
This was all window dressing for what she really wanted - a sexual life that went far beyond obligation and ventured into diversity, risk, and reward. Her breeding and temperament were brakes on such bohemianism but her desires were female, primitive, and clawingly demanding.
Her first lover was a cut not far from the base of her social tree - an attractive young man with turquoise belt buckles but with an old Pacific heritage. Her second was a naval officer, Annapolis trained, battle-proven, a derring-do Navy Seal who had once infiltrated well beyond Iranian lines and taken out the high command. Her third was simply a man who loved women, who reveled in their sex, rutted until the cows came home, passionate beyond belief, as insatiable as she, a real find.
The marriage stayed put, a kind of Nicholson-Sackville West open affair. Her husband had frequent, although desultory affairs of little consequence. Neither he nor she had to bother with explanations or excuses. Both were more than adult in their negotiated freedom, and both brought some of the spice of foreign lovers to bed with them; but both had desires well beyond the bed chamber.
It was not long before Barbery's lovers became more than just afternoon diversions, but the most important part of her life; for it was at this time that she realized that her extramarital sexual escapades were not the usual break from routine and boredom, but essential.
She became Catherine Deneuve in the movie Belle de Jour, the story of a well-to-do Parisian matron by day and an impossibly accommodating prostitute by night. It was not love for money for both the Deneuve character and Barbery. The five hundred francs left on the dresser were insignificant, finalities of contractual obligations nothing more. The real episode was flesh and blood and the search for that special assignation that Lawrence had described.
Could a woman find this mutuality with a random lover? Was there any chance of a Lawrentian epiphany with a john? Was Barbery simply stochastic - one in a hundred, but that one would be the one she was looking for? Perhaps but there had to be something worthwhile in the ninety-nine, and as much as she claimed she was searching for the diamond in the rough, there was something about the seriality of the sex that was - in the best deconstructionist terms - signifying.
In fact, this insatiability, this insistent sexual itch was defining. She was becoming a woman of easy pleasure, a neighborhood courtesan, a prostitute however one might call it; and despite her pedigree, her stable and respected marriage, her affection for her husband, and her social currency she found nothing unseemly in what she did.
Her husband, as progressive as he was, a partner in the open marriage he and Barbery had concluded, he was still a man, and as jealous as any. The more he realized that her liaisons were not just occasional but compulsive and necessary, the more he was tempted to rein her in, to stop what had become infidelity.
Infidelity is not restricted to the one-off affair or even philandering. Anything outside the parameters set in a marriage is a breach of contract. One lover or a hundred, no one is counting. In Barbery's case the sheer voracity of her sexual desire defined her infidelity, and her husband was upset.
'You might as well charge for it', he said. 'A little egg money'.
Barbery was so far gone into her sexual hejira that nothing could lever her from the rails. She had become not just a Biblical harlot or a Freudian hysteric, but a self-fulfilling prophecy. She was goddess, Woman, satisfier, and what God had intended her to be; what she would be until she found out differently.
A man with a hundred lovers would be called a Casanova, a Don Juan, a Lothario; but a woman with a hearty sexual appetite, a whore. Why is that? What social construct could be more oppressive and patriarchal?
Was there some number of lovers beyond which became prostitution even if money was not exchanged? Certainly a man could graze to his heart's content and even be in demand by women who wanted to know what he offered that could seduce so many women; but a woman? Salacious, incontinent, immoral, and reprehensible.
There was a bit of Freud in Barbery, some driven quality which bordered on the psychotic but never drifted fully into that category. There was a drop of feminism to be sure, a businesslike approach to supply and demand; and there was uniqueness. She had simply come out of the womb more sexually sentient than most other women.
Whatever it was, Barbery persisted until she was let go by her husband and dunned mercilessly by her peers. Whatever were the parameters of social propriety, she had overstepped them. She was, as Father Brophy would have said, 'a fallen woman'.
Time has a way of smoothing out irregularity, and Barbery ended up on a chaise lounge on a Miami beach just like the old Jews of her mother's generation, reflectors under the chin to get a nice tan.
Why should this be a surprise? Nothing lasts forever, nor should it. She had had her fling, or whatever anyone wanted to call it, and few of us ever get anywhere near that particular epiphany.








