Melrose Potter never thought of herself as old, but as she looked in the mirror, she was shocked at what she saw. Had she always looked in the mirror every morning brushing her teeth or before work combing her hair, she might not have been so shocked and surprised; but because she hesitated - well, refused - to look at what she knew was an older image, the sight of the gray, the lines, the hollows, and the sags was horrific.
She had seen her friends and colleagues age ungracefully. Nips and tucks, cosmetics, and makeovers were not part of her solidly patrician ethos, and so one by one the daughters of New England deteriorated before her eyes.
Not her, she convinced herself. Aging would not be so unkind to a woman who went daily to the gym, did Pilates and hot yoga, walked to and from the Metro on her way to work every morning, ate the healthiest offerings of organic farmers' markets, got routine checkups and went to bed at a reasonable hour.
Of course aging could be unkind, and as that one revelatory, incidental look in the mirror showed, it did so with a vengeance. St. Laurent and Armani, thousand-dollar hair stylings, hours of massages and holistic spa treatments, Cartier jewelry, and the finest French cosmetics were only cover stories for what was the steady march to the grave.
'Don't be so melodramatic', she said to herself as she prepared for the day ahead. 'I've got many good years ahead of me', but her words were unconvincing. Just yesterday her closest friend, Sylvia, moved to Ingleside, the high-end senior living complex on Military Road to join Marfa Potter, Ileana Fox, and Muffy Deloitte.
All these ladies had lived alone since their husbands died and decided that the facilities and community at Ingleside would be far more preferable than Doordash take out and lone walks on the C&O Canal.
Melrose - Mellie to her friends - was not in this exact situation. Yes, she was resorting more to Doordash and Wagshal's deli; and yes, she found herself staring at some indifferent painting in the West Wing of the National Gallery, but she never had a husband. She had remained determinedly single all her life, enjoyed serial lovers, had turned Sapphic once or twice, and never looked back...until now.
The old face in the mirror and the personality behind it were solitary entities. She had no memories of a husband and no children or grandchildren to add substance to her increasingly weary life. She didn't exactly regret her past decisions, but was forced to reconsider them by the face in the mirror.
Melrose Potter was a privileged child, having grown up in a world of wealth and status - the Park Avenue, Biarritz patrician kind, not the arriviste bourgeoisie of so many. Summers were spent on Nantucket, winters on the slopes of Gstaad, high school at Miss Porter's and college at Wellesley; but that elite upbringing was not enough to condition - or rather tamp down - her sexual and social recklessness.
She was a whirling dervish of sexual affairs, political protest, unencumbered engagements, and travel adventures to the unexplored regions of the world. She was tornadic, a devilishly powerful, almost frighteningly aggressive woman out to pick every rose and climb every mountain.
The tales of her escapades at La Coupole where she joined the Paris underground in their sexual bacchanals after midnight were legion as were those of her Eyes Wide Shut black mass sexual exorcisms. She was known from Paris to Monte Carlo, from Tangier to Pretoria. She was a free spirit, a woman of limitless ambition and agency, a party-goer, and intellectual, a carouser.
And then before she knew it she found herself childless, alone, and facing the prospect of early interment at Ingleside. Yes, it was all it was touted to be, its advantages limned in the attractive, glossy brochure sent out to wealthy zip code 20016 and its aging residents.
Ingleside is a community of progressive, wealthy neighbors who have chosen to spend their golden years with likeminded people; a communal, respectful, congenial place to share, to stimulate, to excite, and to be happy
Yet despite its chat rooms, seminars on the influences of Babylonian mysticism on the Pentateuch, and classes in chess mastery, and despite its glowing publicity, Ingleside was a repository of old memories, an ill-lit place of regrets.
A recent Yale class reunion, thinned out because of 'early retirement' as the class chronicler wrote in his elegy to the Class of 19___was still vital, and the docket was full of important political inquiry. The class, liberal to a man it seemed, could not get enough parsing of the state of the world and their influential place within it.
'Leaving something behind' was the unwritten theme of the Reunion, a paean to university which counted a number of Presidents, Senators, financiers, and men of rectitude and high purpose. These alumni might be in the last decade of their lives, but they were still working hard for a better world. Although they might not be at the barricades of their youth, they could still fight the good fight from the podium.
There were a number of these Yale men at Ingleside when Melrose's friends had moved there; but age had taken its toll and banked the political fire. The more one stayed, lived, survived at Ingleside, the more one regressed. It was no longer 'back in ought four', but reminiscences far more treacly and airy. Even men of power and influence babbled when it came to Ingleside.
Melrose resisted the pull of Ingleside Senior Living. There was something fitting about a woman whose best years were young ones and whose achievements and accomplishments were merely addenda to the experiences of her youth. Given that, the last thing in the world she wanted was to blabber about it, share it with total strangers, give in to the cloying demands of senior living.
'Aging in place' was the euphemism for dying in place and holding on for dear life before it happened. Melrose never thought of her insistence on staying at 4903 Burlington Road as anything more than an eventuality she chose and was not chosen for her.
Vladimir Nabokov in his memoir Speak, Memory wrote of himself as a memorist, someone for whom the past was not just an assemblage of random memories, but an existential point de repere. The present was a matter of micro-seconds, the future only a possibility; but the past was as real as the memories of it retained.
There was something in Nabokov's perspective that appealed to Melrose. It was her past and no one else's and better to die in her traces caretaking those memories than quacking on about them to indifferent strangers.
True to her principles, she died in her favorite armchair, found there by the fire department who had been alerted by accumulated mail and leaves on the walk. A fitting end. What in fact could be more fitting than the solitary death of a truly independent, defiantly unique woman?













