Jose Miranda Xoclicotl was a curandero, a brujo, and a guide to the spiritual world of The Angel of Death, the spirit visited on those who drank ayahuasca, the potent psychotropic drug that the Jivaro Indians of the Amazon had been taking for years, centuries, and long before discovery by European adventurers.
Ayahuasca was not only a well-known hallucinogen of the order of peyote and psilocybin but one which had particular spiritual consensual qualities. Everyone who took the drug reported seeing the same images - a powerful, demanding, inescapably transformative force; a benign/malignant spiritual being who led one into unexpectedly fearsome but revealing realms of consciousness.
How could this be? asked psycho-scientists who had studied the drug and its effects. It was one thing for a drug such as LSD to provoke profound spiritual experiences, but to provoke the very same experience in those who took the drug? What could that mean? What peculiar and remarkable properties must the drug have? And didn't universal experience suggest a creator?
Controlled experiments - the most disciplined and scientifically rigorous in Ghent, Belgium - only concurred on the commonality of the experience. Subjects indeed saw the very same image - a goddess who resembled the Hindu figure, Kali, the goddess of destruction, handmaiden to Siva as he destroyed and recreated the world - but this figure was different. She was more terrifying even than Kali often depicted as a terrifying harridan, frightening, predatory, and adorned with a necklace of human skulls. Why, who, what had created, engineered, insisted upon such a thing?
It was with that background that Belinda Ames, Iowan farm girl, devout Baptist, respectful daughter travelled down the Napo River to visit Jose Miranda and for once in her life expose herself to something other than the predictable and the ordinary.
The trip down the river was quick - the current was strong and steady, and the 3HP motor on the dugout was only for the upstream return. She was let off on a bamboo dock with the farewells and prayers of the Indians who were headed farther down the tributary into the Amazon itself. They knew where she was going and the fearful stories that had come from the jungle sanctuary of Don Jose, and God's intercession would certainly be necessary,
It took her hours to make her way down the jungle path to the village, but the directions given to her at Puyo had been good - turning to the left at the fork at the big banyan tree, right where the river 'boils and seethes', and straight under the ferns of St. Peter.
Don Juan was cordial and welcoming, and as night fell he prepared the ayahuasca, gave it to her to drink, and sat playing a plaintive Quechua melody on his one-string violin.
She remembered nothing about the night, the experience - that is the practical sense of time, thirst, hunger, fatigue - but when she woke up she felt changed, different. She thought more clearly, more deliberately, and more decisively. It was as though the doubts with which she had entered the jungle - about her nature, her sex, her desires - had never existed. Not that they were gone; they never had been.
She had not seen the Angel of Death, perhaps because the savvy brujo had dosed her down as he had done with other expectant foreigners. He didn't want to scare off them and their two hundred pesos and ruin his business. Or because despite the researchers at Ghent and the paisanos of the forest, there was no such unifying, spiritual force behind the drug; and it was simply a powerful, independently active psychoactive agent.
Whatever it was, whatever the composition of the drug, however the effects took hold, she felt she was a different woman; or rather she was, finally a woman. Her parents, her church, her colleagues, friends, and neighbors were now irrelevant, supernumerary wannabe influences, confining, limiting, faux advocates of some undefined, wobbly righteousness.
She slept with the boatman in Misaualli, the Napo River port village where she boarded the dugout for the trip downriver, not her first sexual experience, but the first since ayahuasca. He smelled bad, had few teeth, and straw mattress was bulky and uncomfortable, but those indecencies were only remnants of her past emotional illegitimacy, quickly overcome. She came and came again.
Back in Ames, sitting on the front porch with Alma, Ricky, and Ralph, she had a moment of disorientation. The jungle, the brujo, and coming thrice under the laboring boatman, Rinaldo were all part of an unsettling emotional broth. How was she to square that with Iowa, the farm, and her upcoming matriculation?
Whether the drug found some invasive pathway into the DNA configurations of a good girl, or it simply acted to release the genetic sexual energy latent in those X chromosomes, is indefinable. What is known is that Belinda Ames acquired 'a reputation' - that old fashioned, outdated, patriarchal obloquy - that had nothing to do with her unique, newfound sexuality.
There were many distinct points on the fluid gender spectrum but 'omni-sexual' was not one in bold. Mentioned only as a footnote it described the desultory and unconcerned, the indifferent, those who merited only mention not recognition.
Progressives who were responsible for the whole idea of sexual neutrality completely missed the point. Belinda was not at all indifferent but omnivorous. Ayahuasca had not enabled random desire, but validated purposeful, meaningful sexuality.
'A hot ticket', one Deke frat brother said to another, another Yale fool taking Belinda Ames as 'another cunt from Vassar' but missing the point. Any man man enough to win Belinda's affection would be another Petruchio to Kate the Shrew, savvy, deliberate, and opportunistic. Romance is not an intervening variable in any sexual equation.

